Pictures of things made with my daughter and niece while in Richmond, Virginia for Thanksgiving break.
Monday, November 30, 2009
Holiday Craft Session
Pictures of things made with my daughter and niece while in Richmond, Virginia for Thanksgiving break.
Wednesday, September 30, 2009
Monday, September 28, 2009
Same Old, Same Old
I have a serious case of Blogger’s Block. After conscientiously and regularly keeping this journal for the past couple of years, I have been grappling with purpose and meaning. Actually, I have been struggling with purpose and meaning in the largest sense of the words. This blog has really been something that I do for myself, with the secondary aspect being for friends and family. There are themes that I ponder a lot these days; attention & focus, creative processes, the death of the planet (or humankind on an uninhabitable planet), and “what is my true life’s purpose?”
We have gone back to our “same old, same old,” but it can really never be quite the same once you have disrupted your life in such a large way. All three of my little nuclear family members have been altered, modified, transformed by the experience and it can never really be the same. Not that we want it to be, mind you. It means that we haven’t yet found a new foothold. We haven’t figured out a new way of being within the old structures.
Perhaps, this is the way I explore the topics that occupy me. I certainly feel better and more focused having written this. What a relief. Now press “Publish Post.”
Friday, August 14, 2009
Traveling Fool
I am writing this post in Richmond, Virginia. I have been here for a week in order to help my sister take care of her husband – he has just had a liver transplant and is having an amazing recovery.
I have traveled more in the past year than at any other time in my life. The cities list reads as follows: Oslo, Copenhagen, Florence, Volda, Copenhagen, Volda, Stockholm, Lillehammer, New Haven, Richmond, Philadelphia, Princeton, Nags Head, and Richmond, again. I have only listed places I spent two or more nights and I may be forgetting someplace.
It has been a brilliant year. One of the side effects of all this travel is an odd sense of dislocation. No longer here or there, but somewhere in between. It’s almost like I could settle down anywhere I stopped along the way. My continuity has been continually broken – just when I get into a schedule and a rhythm – work, research, exercise, daily life – I am uprooted by car, train, plane, boat or bus. I have an eight-hour train ride back to New Haven tomorrow. I generally use this time to think, read, write, and reflect. Eight hours “by myself” – a rare thing, indeed. I will savor the time.
Distance gives an interesting perspective to your life. Though, I think I have had enough perspective and distance for a while and I long for a good six months or so without travel. I dream of an unbroken daily and weekly schedule – which, hopefully, will settle in at the end of this month when classes resume.
Wake, shower, coffee, breakfast, school/work, dinner, family, sleep and repeat. Mmmmm, it sounds lovely.
Tuesday, June 9, 2009
The Hybrid Book

I am back from my last public presentation commitment for the academic year. I was on a panel at the Hybrid Book Conference at the University of the Arts in Philadelphia. It was a satiating three days for a hungry visual artist. There were two exhibitions and a quite large artists’ book fair attached to the conference. The visual stimulation was overwhelming. My Pentax has died on me, so I have not a single picture to show for it.
I was the very last panel speaker for the event – a schedule I have had before at conferences. It’s a tough spot to be in. You never get relief from the performance anxiety that comes with public speaking. You have to follow everyone else – in some cases quite brilliant speakers. And finally, if anyone on your panel runs over their time, you get cut short. With all that said, I think it went well. My panel was called “The Reciprocity of Books and Digital Media.” I spoke about “the artistic subversion of mobile technologies in the creation of book-like experiences.”
I didn’t get to see much of Philadelphia, but the train station and arts district were impressive. I’m looking forward to getting to spend more time there at some point in the future. Well, it’s back to work – teaching an online class, continuing projects started on my sabbatical, finishing my daughter’s school year and all the other odds & ends that are begging for attention.
*The Amazon Kindling is by Rob Cockerham and Windell H. Oskay. You can read all about it here and see more images here.
Saturday, May 16, 2009
Lux Et Veritas
Yale Graphic Design MFA Exhibition 2009



I had the opportunity to visit the exhibition last Friday – the final day of the show. I was intrigued enough by the presentation of the work that I scrawled some notes that I thought I’d share.
Upon entering the exhibit, I encountered two shelves that were suspended from the ceiling and ran parallel to each other. These held the 16 thesis books that are required for the granting of the degree. Having seen quite a number of these over the years, I noticed a few things. The first is that services like Lulu and Blurb have enabled students to design and print copies of books with bindings that look as though they were professionally published. There were a few unique bindings. One, I recall, was an ordinary saddle-stitched pamphlet-bound book, but the pages had not been folded, so the spine was a big smooth curve. Nice. The overall impression of the book designs I had was a heavy Bruce Mau and Irma Boom influence. They had that S,M,L,XL or Life Style look about their interiors. I’ll be honest, I did not have time to deeply investigate the content of the books. It would have been nice to have a short, easily available abstract for each thesis.
The next room contained a single wall-sized video projection of the class working together on a production of sorts. Nicely done and again reinforced the collaborative or unified feeling of the exhibition. I think when you pass through this space again while leaving the show, it becomes a reinforcement of the collective nature of the endeavor.
Before entering the final and largest room in the show, you were advised to pick up a catalog at the top of the stairs. This last room is a large space that has a double height ceiling. It was filled with about 15 or so video projections running simultaneously. The projectors were hung in stacks from the ceiling and projected onto all four walls of the space. Each projection had a number beside it that corresponded to the catalog listings of works. There were soundtracks that overlapped and faded in and out, but this only added to and complemented the whole effect, rather than creating an overwhelming cacophony.
About half or more of the projections were shots of hands turning pages on book design projects. There were close up details of designs interspersed with hands on books turning pages. The book videos were shot upon a black background, which gave the projections an intriguing “knocked-out” or silhouette look. Several other projections had videos of monitors with screen-based or interactive works and several had people hanging posters or large format designs and then taking them away. The last few projections in the mix had live videos or motion graphics examples. The overall effect was mesmerizing. I sat on the floor for some time, so that I could just relax and take it all in. I was not inspired to go digging through the booklet to try and figure out who did what, however.
And this is where the exhibit became even more interesting to me. It was very hard to distinguish between one person’s work and another’s – from the moment you enter to the moment you exit. Actually, it becomes no easier with the catalog of thumbnails as a cheat sheet. The exhibition has an anonymous feel about it. It could easily be mistaken for an exhibition of the work from a NY or LA design firm, but I don’t think this is negative. Here’s why: Sixteen freshly minted designers came together to create an exhibition showcasing their work and instead of staking out the best wall or shelf space, they cooperated and collaborated at a level strangely beyond ego. I’m sure their meetings behind the scenes were stressful and difficult at times, but what comes across is a group of individuals that can put their needs aside from the needs of the group. Very impressive.
Yale Graphic Design MFA Exhibition Archive
I had the opportunity to visit the exhibition last Friday – the final day of the show. I was intrigued enough by the presentation of the work that I scrawled some notes that I thought I’d share.
Upon entering the exhibit, I encountered two shelves that were suspended from the ceiling and ran parallel to each other. These held the 16 thesis books that are required for the granting of the degree. Having seen quite a number of these over the years, I noticed a few things. The first is that services like Lulu and Blurb have enabled students to design and print copies of books with bindings that look as though they were professionally published. There were a few unique bindings. One, I recall, was an ordinary saddle-stitched pamphlet-bound book, but the pages had not been folded, so the spine was a big smooth curve. Nice. The overall impression of the book designs I had was a heavy Bruce Mau and Irma Boom influence. They had that S,M,L,XL or Life Style look about their interiors. I’ll be honest, I did not have time to deeply investigate the content of the books. It would have been nice to have a short, easily available abstract for each thesis.
The next room contained a single wall-sized video projection of the class working together on a production of sorts. Nicely done and again reinforced the collaborative or unified feeling of the exhibition. I think when you pass through this space again while leaving the show, it becomes a reinforcement of the collective nature of the endeavor.
Before entering the final and largest room in the show, you were advised to pick up a catalog at the top of the stairs. This last room is a large space that has a double height ceiling. It was filled with about 15 or so video projections running simultaneously. The projectors were hung in stacks from the ceiling and projected onto all four walls of the space. Each projection had a number beside it that corresponded to the catalog listings of works. There were soundtracks that overlapped and faded in and out, but this only added to and complemented the whole effect, rather than creating an overwhelming cacophony.
About half or more of the projections were shots of hands turning pages on book design projects. There were close up details of designs interspersed with hands on books turning pages. The book videos were shot upon a black background, which gave the projections an intriguing “knocked-out” or silhouette look. Several other projections had videos of monitors with screen-based or interactive works and several had people hanging posters or large format designs and then taking them away. The last few projections in the mix had live videos or motion graphics examples. The overall effect was mesmerizing. I sat on the floor for some time, so that I could just relax and take it all in. I was not inspired to go digging through the booklet to try and figure out who did what, however.
And this is where the exhibit became even more interesting to me. It was very hard to distinguish between one person’s work and another’s – from the moment you enter to the moment you exit. Actually, it becomes no easier with the catalog of thumbnails as a cheat sheet. The exhibition has an anonymous feel about it. It could easily be mistaken for an exhibition of the work from a NY or LA design firm, but I don’t think this is negative. Here’s why: Sixteen freshly minted designers came together to create an exhibition showcasing their work and instead of staking out the best wall or shelf space, they cooperated and collaborated at a level strangely beyond ego. I’m sure their meetings behind the scenes were stressful and difficult at times, but what comes across is a group of individuals that can put their needs aside from the needs of the group. Very impressive.
Yale Graphic Design MFA Exhibition Archive
Tuesday, April 14, 2009
The Journal of Artists' Books #25

JAB 25 is available. This is the opening spread from the article I wrote – “I {heart} DIY CMYK (an homage)” – the issue looks great and as always, I just wish I was a better writer...
Wednesday, April 8, 2009
System ReBoot
It will be QUIET around here a little longer as I ReBoot into an upGrade of my new/old life Operating System.
Monday, March 30, 2009
Last Oslo Edition of the Newsy News!
Here it is. The last issue of PB’s Newsy News from Oslo, Norway. It was a bit squeezed in among the packing and moving, so I imagine the typos and grammar may be a bit fast and loose. I think I may keep publishing it as a once or twice yearly newsletter for friends and family – it has been quite fun to produce. Now to get to bed early for a long day of travels tomorrow.
Friday, March 27, 2009
Siste Gang (last time)
Last time waking up in Flaskebekk.
Last time walking home from Nesoddtangen Skole.
Last time gazing out over the fjord.
Last time hearing the fog horns from the big ships.
Ha det bra “Bottle Creek.”
Sunday, March 22, 2009
Monday, March 9, 2009
Tactical Nomadic Storytelling

Tactical Nomadic Storytelling
Pattie Belle Hastings
World Storytelling Day, March 20, 2009 (spring equinox)
Tactical Nomadic Storytelling will start at 6:30 pm (sunset)
at the Kunstnernes Hus and then depart for wanderings
and tellings around the city of Oslo.
Atelier Nord
Wergelandsveien 17, N-0167 Oslo Norway
TNS (for short) is an art project that combines live storytelling and props with mobile digital media (visual and audio). Pattie Belle Hastings is currently in residence at Atelier Nord creating a mobile storytelling projection unit and a series of short stories that combine video/animation, audio, mobile devices and live performance. These digital live art experiences are designed to be performed strategically and spontaneously at tram stops, T-Bane stations, corners, alleys, bathrooms - virtually any spot on the street or any unexpected place around Oslo.
Thursday, March 5, 2009
It’s going to be quiet around here...

for the next couple of weeks... I’m in residence at Atelier Nord and immersed in prototyping one of the projects I have been working on. As you can see I am surrounded by equipment, devices and cables - just the way I like it. :)
Info on the Project
Info on the Kunstnernes Hus (where Atelier Nord is located)
Tuesday, February 24, 2009
Six Months as a Fulbright
My official time as a Fulbright scholar ended on February 15th. Some people have been curious about what I have been doing during the past 6 months, so I came up with a general list. It does not include paperwork, project proposals, studio and writing time, commuting by boat, family duties, family travel, or specific art projects. Some of those things are pretty well documented on my blogs. I will write more about the creative work when more pieces are closer to finished. There are many things upcoming and in process, including speaking at a conference in Philadelphia in June.
Fulbright Norway

Fulbright Orientation
August 25 & 26, 2008 at the
Nobel Institute
Fulbright Potlucks
Various
Nobel Peace Prize Ceremony
December 10, 2008
Fulbright Seminar & Ski Retreat
February 12-15, 2009
Lectures/Presentations

The Oslo School of Architecture and Design:
September 5, 2008
Lecture to PhD Program:
Art Practice as Research – Case Study: Cyborg Mommy
September 29, 2008
Lecture to Industrial Design Masters Program:
Identity and the Data Body
October 20, 2008
Lecture/workshop to PhD Program:
Research Aids: Web 2.0 applications for data collection and mind mapping
November 3, 2008
Lecture/workshop to PhD Program:
Blogging as a researcher, designer and educator
December 4, 2008
Research by Design, An AHO Research Seminar
The Mobile Manifesto: a work in process
March 23, 2008
Lecture to Interactive Design Masters Program,
Mobile Misuse: Tactical Nomadic Storytelling

University of Oslo:
GRIG - Guild for mixed reality integrators & generators (annual meeting)
A group of European artistic and cultural operators creating & researching mixed reality works that intertwine digital media & physical materials, objects & spaces.
Presentation on Mobile Misuse, Dec. 3, 2008

Høgskulen i Volda (Volda University College):
Ulsteinseminaret, December 8-9, 2008
Informasjonsutdanninga ved Avdeling for Mediefag
Interactive Design Education: The precarious balance between theory and practice
(seminar participation and presentation)
Smart Mobs and Mobile Media Workshop, January 20-22, 2009
Three day hands-on workshop for undergraduate students in the Media and Journalism program.
![Data Forensics [in the landscape]](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_soHdsptqAeyta-Dqr2kd22VkUJw0uOR7q1yCMFvkPJO356IHpXfGhg-HpYl7yIMC3eogOECB_qRYNbpdvexBqhk4PpwT-eIdGgG_ZH1O6ZewG-8KVzm7lqoYwy0UtBTho=s0-d)
Artist’s Residency
Atelier Nord, March 2-20, 2009
Project production support for Tactical Nomadic Storytelling
“Atelier Nord is a project base for unstable art forms, such as electronic and new media art. Our aim is to create better conditions for these art forms, and to maintain a critical reflection in relation to them. Our work consists of producing and supporting projects that promote these goals.”
Publications
Journal of Artists’ Books
“I (heart) DIY CMYK,” JAB25 (Spring 2009)
JAB25 focuses on offset printing, guest-edited by Tony White.
Blogs
Performing the Art
Mobile Misuse
Conferences/Workshops/Lectures Attended
(not including the ones at which I presented)
Intermedia, Universitetet i Oslo
September 25, 2008
Intermedia’s 10th Anniversary Celebration (lectures, posters, reception)
Transmedia Literacy and Identity Development
Jay Lemke at UiO, October 9, 2008
Social Web and Learning Conference
Universitetet i Oslo, October 16th, 2008
Keynotes: danah boyd and Neil Selwyn
Atelier Nord
Data Forensics in the Landscape (pictures)
November 6-8, 2008
Fulbright Norway

Fulbright Orientation
August 25 & 26, 2008 at the
Nobel Institute
Fulbright Potlucks
Various
Nobel Peace Prize Ceremony
December 10, 2008
Fulbright Seminar & Ski Retreat
February 12-15, 2009
Lectures/Presentations

The Oslo School of Architecture and Design:
September 5, 2008
Lecture to PhD Program:
Art Practice as Research – Case Study: Cyborg Mommy
September 29, 2008
Lecture to Industrial Design Masters Program:
Identity and the Data Body
October 20, 2008
Lecture/workshop to PhD Program:
Research Aids: Web 2.0 applications for data collection and mind mapping
November 3, 2008
Lecture/workshop to PhD Program:
Blogging as a researcher, designer and educator
December 4, 2008
Research by Design, An AHO Research Seminar
The Mobile Manifesto: a work in process
March 23, 2008
Lecture to Interactive Design Masters Program,
Mobile Misuse: Tactical Nomadic Storytelling
University of Oslo:
GRIG - Guild for mixed reality integrators & generators (annual meeting)
A group of European artistic and cultural operators creating & researching mixed reality works that intertwine digital media & physical materials, objects & spaces.
Presentation on Mobile Misuse, Dec. 3, 2008
Høgskulen i Volda (Volda University College):
Ulsteinseminaret, December 8-9, 2008
Informasjonsutdanninga ved Avdeling for Mediefag
Interactive Design Education: The precarious balance between theory and practice
(seminar participation and presentation)
Smart Mobs and Mobile Media Workshop, January 20-22, 2009
Three day hands-on workshop for undergraduate students in the Media and Journalism program.
Artist’s Residency
Atelier Nord, March 2-20, 2009
Project production support for Tactical Nomadic Storytelling
“Atelier Nord is a project base for unstable art forms, such as electronic and new media art. Our aim is to create better conditions for these art forms, and to maintain a critical reflection in relation to them. Our work consists of producing and supporting projects that promote these goals.”
Publications
Journal of Artists’ Books
“I (heart) DIY CMYK,” JAB25 (Spring 2009)
JAB25 focuses on offset printing, guest-edited by Tony White.
Blogs
Performing the Art
Mobile Misuse
Conferences/Workshops/Lectures Attended
(not including the ones at which I presented)
Intermedia, Universitetet i Oslo
September 25, 2008
Intermedia’s 10th Anniversary Celebration (lectures, posters, reception)
Transmedia Literacy and Identity Development
Jay Lemke at UiO, October 9, 2008
Social Web and Learning Conference
Universitetet i Oslo, October 16th, 2008
Keynotes: danah boyd and Neil Selwyn
Atelier Nord
Data Forensics in the Landscape (pictures)
November 6-8, 2008
Monday, February 23, 2009
Drawing Again
When I work on projects that take weeks, months or years, I often long for some more immediate, tangible, creative outlet. During the past few months I have been wanting to draw again (partly inspired by rereading Annie Dillard’s books.) Not the life model, still life sort of drawing in which I was trained in art school, or the sketching of ideas in my notebook kind of drawing, but something that would develop out of my imagination over time. I picked up a foundation drawing book while we were in Stockholm and have been quite inspired from the simple start-from-the-beginning approach. This has coincided with the installation of a couple of free drawing applications on my iPod touch. I love the small size and the somewhat extreme limitations of the application I am using. Perhaps, if I am successful at this new outlet, I will fork over some money for a more sophisticated drawing application. For now, this is enough. They are crude (imagine drawing with your finger) and I am still exploring using only black & white, like those early years in design classes. Drawing anywhere and anytime. I like how this act of drawing on a mobile device ties in with the Mobile Misuse research and projects. This is so much fun. Don’t worry, I’m not letting it get in the way of those big projects that take forever...
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